SWARSHRI
Notes on Hindustani Classical Music
by Mukul Shri Goel

Raga

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Raga and Vocal Music

Basic Features

The Raga in Indian classical music is a musical atmosphere – defined by a set of properties – that imparts a distinctive melodious sound to all the diverse compositions that are based on it. The set of properties that characterize a raga include the allowable notes and order of their application (ascend and descend; aroha and avroha), the key groupings of notes (pakad), the most prominent note (vadi), the second most significant note (samvadi), the parent scale (thaat), the time (hours and/or season), and the nature or mood (prakriti). Please click here for the basic features of selected Ragas.


Sargam

A student of Indian classical music always begins with sargams, which are ascending and descending sequences of notes in an easily repeatable pattern. These are an essential part of one's voice training and a prerequisite to improvising a Raga in both vocal and instrumental music. Some preliminary sargams (alankars) are given here.



Presentation of a Raga in a Vocal Concert

What styles of vocal music are presented in a typical Hindustani music concert? When a singer takes an hour to perform a Raga, what is the schedule like? Read this page to find out.





















 

Percussion

Popular Rhythmic Cycles in Tabla

This section presents introductory material (theka, kaida/ palta, variations, and tihai) for solo or accompaniment in selected rhythmic cycles (taal).

Please click on the name of a taal.


Tabla: Classical Music

Teentaal: 16 Beats

Ektaal: 12 Beats



Tabla: Light Music

Keharwa: 8 Beats

Dadra: 6 Beats

Roopak: 7 Beats

Deepchandi: 14 Beats



Articles

(Please click title to read the article; link may take you to an external site.)


Indian Instrumental Music: A Connection to God

Classical Music becomes a spiritual path when we offer our music performance to the Divine or start recognizing the oneness in music and God.


Why would you follow your dreams in the 21st century?

Musicians and other artists who like their work but find their career less lucrative than other professional fields may occasionally wonder if they have made the right choice in selecting their career. Read this article to find out why their decision is almost always correct in the context of Indian spirituality.


Accompanying a Vocalist on the Tabla

These notes inform the student of Tabla (Indian percussion) on three kinds of improvisation: the prakaar, the mukhda, and the tihai. Some examples for teentaal, a sixteen-beat rhythmic cycle, are included.




Interested in Indian Devotional Spirituality?

Check out my book titled "Devotional Hinduism: Creating Impressions for God." Click here for more information.


Copyright ©  Mukul S. Goel, PhD